Western Caspian University

Teachers

School of Philology and Translation

Solmaz Alasgarova

Lecturer

History of Azerbaijani literature, Literary criticism, Business and academic communication in Azerbaijani

+994 12 492 74 18

solmaz.alasgarova@wcu.edu.az

Solmaz Hashim qizi Alasgarova was born in Baku in 1977. She studied at secondary school from 1983 to 1993 and entered the Faculty of Philology at Baku State University in 1993. After graduating in 1997, she continued her postgraduate studies at the same faculty until 1999. From that year onward, she worked at Baku Asia University. Since 2016, she has been a lecturer in the Department of Azerbaijani Language and Literature at Western Caspian University.

Scientific & Methodological Works

  1. “Depiction of Chaotic World in the Language of Literary Works”. Scientific-Methodological Journal on Azerbaijani Language and Literature Instruction, Baku 2020, No. 1/263, pp. 59–72.
  2. Memory: Illusion, False Impression, Fabrication, or Inner Time. Scientific Notes of Tavria National University – Philology & Social Communications Series, Kyiv, Ukraine, 2020, Vol. 31 (70) Part 4, pp. 91–97.
  3. “Moral Barbarism in Harold Pinters Play The Birthday Party”. Language & Literature Series, Baku Slavic University, 2020, No. 2, pp. 272–279.
  4. “Consequences of Power and Failed Communication in Harold Pinters Dramaturgy”. Issues of Philology, Institute of Manuscripts named after M. Fuzuli, ANAS, Baku, “Elm və Təhsil” 2020, No. 11, pp. 255–262.
  5. “Unlimited Freedom and Illusion (based on Pinters The Caretaker and The Dwarfs)”. Elmi İş – International Scientific Journal, 2021, Vol. 15 No. 3, pp. 68–71.
  6. “Single Idea Dimension: Incongruity, Absurdity, Chaos”. Journal on Current Issues in Humanities, BSU 2021, No. 1, pp. 125–129.
  7. “Psychological Violence and Money as a Means of Power (based on Pinters Anniversary)”. Buta International Journal of Scientific Research, Kars, Turkey 2021, No. 2/3, pp. 60–74.
  8. “Time as Word Game”. Philology and Art Studies, ANAS, Baku 2021, No. 1, pp. 131–138.
  9. “Conditions and Principles of Formation of English Dramaturgy”. News of Pedagogical University – Humanities, Social & Pedagogical‑Psychological Sciences Series, Baku 2022, No. 4, pp. 9–18.
  10. “Absurd and Postmodern Approaches in Harold Pinters Dramaturgy”. Scientific News of Azerbaijan University of Languages, Baku 2022, No. 4, pp. 38–45.
  11. “Perception of Human Psychology in Harold Pinters Dramaturgy”. Philology & Art Studies, ANAS, Baku 2024, No. 1, pp. 166–172.
  12. “Early Renaissance and Renaissance Period Dramaturgy in England”. II International Scientific Conference “Human Development. Integration into the World”, AMEU, Baku 2019, 26–27 April, pp. 92–95.
  13. “Describing Lifes Contradictions (The Room by Harold Pinter)”. International Science‑Practice Conference “Innovative Paradigm...”, 27 April 2020, pp. 129–134.
  14. “Problem of Lack of Communication in Pinters Dramaturgy”. VII International Conference in honor of S.Ə. Şirvanis 185th anniversary, Ardahan, Turkey, 25 September 2020, pp. 39–45.
  15. “Humanity and Uniqueness (based on Pinters No Mans Land, Betrayal)”. IV International Conference on Awareness, Language & Awareness, Çanakkale, Turkey, 2–4 Dec 2020, pp. 477–486.
  16. “Subconscious and Reality”. National Scientific Conference “Strategy for the Development of Humanities”, Baku 6–7 Mar 2021, pp. 142–144.
  17. “An Artistic Experiment in Harold Pinters Dramaturgy”. VII International Scientific‑Practical Conference, Vladimir State University, 24 Oct 2024, pp. 42–46.
  18. “The Place of Pinter in Modern English Dramaturgy”. I International Scientific Conference “History and Study of Science: Interdisciplinary Research”, Institute of History of Science, Baku 29–31 Oct 2018, pp. 312–314.
  19. “First Major Success of Harold Pinters Dramaturgy”. Conference of Young Researchers, WCU, 19 April 2019, pp. 163–165.
  20. “Humanity and Originality”. IV International Conference on Awareness, Language & Awareness, Çanakkale, Turkey, 2–4 Dec 2020, pp. 9–10.